A note from Cate: One of the things I love about interviewing artists is the chance to get inside their heads, ask all kinds of questions about how and why they work the way they do, and give them the opportunity to open up and share that information with the world. My fellow online editor Courtney Jordan did just that with a fascinating mixed-media artist, Kiki Smith in the Fall 2012 issue of Drawing magazine. Today, I'm sharing a short excerpt of this profile with you. Enjoy!
|'Wave,' by Kiki Smith.|
Kiki Smith is known for many things—feminist leanings and preoccupations with the body; intimate, often animistic narratives; an artistic output that cherry-picks across media and methodology. But her drawings? Not so much. In fact, there was a period in the artist's life when she felt quite abashed about her drawing abilities.
"I'm essentially sort of a self-taught drawer," she explains. "I made a lot of drawings when I was younger, but I don't think I ever took a drawing class. Not really. When I was 16 or 17 I asked my father, a sculptor, to teach me how to draw as he had when he studied art." By drawing simple objects and still life setups, Smith taught herself perspective and improved her skills, but she still didn't feel entirely confident. "I stopped when I became embarrassed about my skill," she says.
It wasn't until 1989, when Smith pursued printmaking at Universal Limited Art Editions, that she settled on firmer ground with her draftsmanship. "It was a very supportive environment," she says. "I became much more confident and started drawing again. For me, it was a way of entrance into making things, and it's a large part of my activities as an artist … though I still draw the same way I drew when I was 20."
Smith has no interest in letting her drawings grow up any further, content with a style that is purposefully naïve and raw. "There was a time in my life when I was better at rendering in a traditional way, but in the end you use what you are given," she says. "You can't do what others do. You have to find your own pleasure in the pursuit."
|"Sky," by Kiki Smith, as seen in
Smith goes well beyond pencil and paper in her drawings, at times incorporating ink, watercolor, crayon, colored pencil, and collage. She also embellishes surfaces with ornamentations that get downright girly-glitter, mica, silver and gold leaf, rhinestones, and jewelry pieces. In the drawing "Sky," a nude female figure gracefully hovers just above the ground. The sky around her is delicately hued in blue, pink, and yellow. Stars, birds, butterflies, and what look to be stenciled clouds are her airborne companions. Her guiding light, possibly a reference to the North Star, is encrusted with glittery bits. A glitzy dusting swirls around the figure itself, grazing her hip and shimmering around her torso, head, and arms.
Smith believes that sometimes, though, drawing is for the artist's eyes alone. "Most of my ideas I have in notebooks, and they look like the most elementary doodles possible," she says. "I rarely ever make serious drawings for something I do. I don't use drawings like that, but drawing is fundamental to me making things. It just doesn't have to be what you end up sharing with the public. It really can be taken to all different stages and all different meanings.
"We live in a hybrid time, moving in many directions at once," she says. "There's never one version, merely a version."
To read the rest of this interview, plus learn more about drawing techniques, places to study drawing, and see a variety of examples of fine and mixed-media art to inspire you, be sure to get a copy of Drawing Fall 2012. Better yet, subscribe to save money and get the best drawing advice and inspiration year round.